#Superstar sonic youth ukelele tv
#Superstar sonic youth ukelele windows

I'd Love to Change the World by Alvin Lee and 10 Years AfterĮric “Czahr” Scott’s Project 4: Fall Covers Playlist ( link) To Bring You My Love by PJ Harvey covered by Noah Randy’s Project 4: Fall Covers Playlist ( link) Stormtrooper in Drag by Paul Gardiner and Gary Numan I Know There’s Something Going On by Frida Jeff Esterby’s Project 4: Fall Covers Playlist ( link) Neil’s Project 4: Fall Covers Playlist (link) Orion by Metallica partially covered by Neil Telephone Line by Electric Light Orchestra Moon Over Marin by Dead Kennedys covered by Tom S. Needle’s in the Camel’s Eye by Brian Eno covered by Karlīarrett’s Project 4: Fall Covers Playlist ( link) Tom Stromsodt’s Project 4: Fall Covers Playlist (link) Land of My Dreams by Anna Domino covered by Jeff Esterby Love Will Keep Us Together by Captain & Tennille covered by Tom S.

Karl Qualey’s Project 4: Fall Covers Playlist (link) Zou Bisou Bisou by Megan Draper (Mad Men)

Pathetic Little Fat Man by David Bowie (HBO’s Extras) Just You by James-Donna-Maddy (Twin Peaks) covered by Czahr

#Superstar sonic youth ukelele tv

TV On The Radio,Noah’s Project 4: Fall Covers Playlist (link)įorever by Jesse & The Rippers (Full House) covered by Tom

#Superstar sonic youth ukelele windows

The Windows of the World by Dionne Warwick Look Through my Window by the Mamas and the Papas Jeff Kearns’ Project 4: Fall Covers Playlist (link) You’re No Good by Linda Ronstadt covered by Tom as a bonus track later on Hot Burrito #1 by the Flying Burrito Brothers She Drives Me Crazy by Fine Young Cannibals covered by Neil

In the Summertime by Mungo Jerry covered by Tom S.ģ0 Century Man by Scott Walker covered by Neil Gardenhead/Leave Me Alone by Neutral Milk Hotel (Don’t Go Back to) Rockville by REM covered by Tom S. Tom took my mix, added some additional magic, and it got the vibe I was looking to capture. With a sold foundation in place, I played around with my usual tools (accordion, baritone ukulele, bass, singing…) and then got a mix that felt pretty good.

I texted this idea to Stroms (Tom Stromsodt) and within a few hours four beats were on my phone. The programmed beat in the original song is really the backbone of the tune, so I thought it would be essential to have something different percussively but equally solid. In my mind this could be a song about Fargo or Paynesville or any place with young, disenfranchised people.Īs I am prone to do, I started with Tom Stromsodt and asked for some beats. Also, the lyrics of Dropout are fairly relatable to anyone who’s done time in a small town or small city. I felt an obligation to pay homage to the King. So when Randy posted an Urge Overkill song on his project 2 playlist, I was instantly interested. Thanks to the Eddie Roser inspired Litchfield high school band explosion, we suddenly weren’t alone. This was super cool for me and my friends in Paynesville, because we had our own high school band but nobody with whom we could play shows. The youth of Litchfield started bands like crazy, inspired by Eddie’s success. Before long they were popping up on MTV and touring with popular famous bands of the time, like Pearl Jam. In the early 90s, Urge Overkill signed to a major label. He grew up in the small town of Litchfield, which was less than 30 miles from my hometown of Paynesville. Eddie “King” Roser, bass player for Urge Overkill, was a legend in rural central Minnesota.